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Dendrochronology estimates the age of trees by correlation of the various growth rings in their wood to known year-by-year reference sequences in the region to reflect year-to-year climatic variation.

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Speed dating st george ut

His wealth allowed Mackay to move in a different direction after leaving Virginia City - telecommunications was the direction taken. Gordon Bennett Jr., which gave birth to the Mackay-Bennett Cable Company but shortly the name was changed to Commercial Cable Company (1884.) In 1884, CCC laid a transatlantic telegraph cable to directly compete with Jay Gould's Western Union.

By 1886, Mackay and Bennett started Postal Telegraph Company for telegraph communications within the USA.

Farragut, assisted by a contingent of soldiers, attacked a smaller Confederate fleet led by Admiral Franklin Buchanan and three forts that guarded the entrance to Mobile Bay.

The battle was marked by Farragut's seemingly rash but successful run through a minefield that had just claimed one of his ironclad monitors, enabling his fleet to get beyond the range of the shore-based guns.

is the science of arranging events in their order of occurrence in time.

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].50 per word down to a low of [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].12 per word but an agreement between the companies set the standard rate at [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

.50 per word down to a low of [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].12 per word but an agreement between the companies set the standard rate at [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

.50 per word down to a low of [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].12 per word but an agreement between the companies set the standard rate at [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

.50 per word down to a low of [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].12 per word but an agreement between the companies set the standard rate at [[

Consider, for example, the use of a timeline or sequence of events.All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?

Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

||

Consider, for example, the use of a timeline or sequence of events.

All of this led to a rate war between Mackay and Gould - that is, CCC and WU - that waged for 29 months with each company trying to under sell on the price per word for transatlantic telegrams.

Eventually, the price went from WU's $0.50 per word down to a low of $0.12 per word but an agreement between the companies set the standard rate at $0.25 per word to stop the rate war.

But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.

]].25 per word to stop the rate war.But, 15 years after Balanchine’s death, it hasn’t as yet found a convincing new guiding principle beyond the perpetuation of his work and example—not, wisely, that it has really tried to.How did it happen that the world’s greatest ballet company—which is what it has seemed to me and to many others almost from the start—established itself 50 years ago in New York, hardly then the “dance capital of the world,” as it came to be known decades later?Starting in 1948, in an odd-couple partnership with wealthy Harvard graduate Lincoln Kirstein, a homeless Russian exile named George Balanchine turned New York, already the capital of the world, into the capital of dance.

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